Axis: S1 (S wave in lead I), or right axis deviation (S>R in I).Electrical conduction: right bundle branch block.Heart rate/rhythm: sinus tach, atrial fibrillation. So ECG changes of acute RV strain include: The right ventricle is anterior/inferior, smaller than the left ventricle, and contains the right bundle branch. As McGinn and White first explained in their observation of the S1Q3T3 pattern in 1935, “The changes observed clinically and the electrocardiographic variations in cases showing the acute cor pulmonale consequent to pulmonary embolism are due in large part to dilatation and partial failure of the chambers of the right side of the heart.” So it helps to have a systematic approach to ECG interpretation and to correlate it with the underlying pathology. The ECG can be completely normal in PE, or there can be multiple abnormalities-including rate/rhythm, conduction, axis, R wave progression, voltage and ST/T changes. Old then new ECG:Ĭase 10: 40yo with one week intermittent chest pain, normal vitals. R20 O2 95% HR 80 BP 110/70 afebrile, troponin 100Ĭase 9: 60yo with exertional chest pain and shortness of breath, troponin 150. No pulmonary edema on point of care ultrasound but prominent RV.Ĭase 8: 60yo, no history of lung disease, with two days of ongoing shortness of breath without cough or fever, sent to ED for ‘pneumonia’ based on infiltrate on chest x-ray. Old then new ECG:Ĭase 7: 75yo previously well, with a few weeks of shortness of breath and fatigue, then syncope. R18, O2 96%, HR 110 BP 130/70 afebrileĬase 6: 70yo previously well, presented during the first wave of COVID-19 with two weeks of increasing shortness of breath. No prior ECGĬase 5: 60yo, history of cancer, with two months shortness of breath on exertion. Dilated right ventricle and bilateral pleural effusions on point of care ultrasound. Large RV on point-of-care ultrasoundĬase 4: 80yo with 60 pack-year smoking history, with one month increasing shortness of breath and bilateral leg edema. ECG from first and second visits:Ĭase 3: 85yo with acute on chronic shortness of breath. Returned with increased shortness of breath, tachypnea and hypoxia. Normal vitals and chest X-rayĬase 2: 75yo with exertional chest pain and shortness of breath, normal chest Xray/troponins and discharged. How does the ECG change your initial management or pre-test probability, and which patients had PE?Ĭase 1: 45yo with 5 days of pleuritic chest pain, and shortness of breath on minimal exertion. 10 patients presented with cardiorespiratory symptoms.
0 Comments
Finally, measure the distance between the brake chamber and the clevis pin to ensure the slack adjuster is within the specified range.The information contained in documents found on this website is intended for the exclusive use of trained persons within the commercial vehicle industry, and must not be passed on to any third party.Īll recommendations regarding products and their servicing or usage are with reference to Knorr-Bremse products and should not be considered applicable to products from other manufacturers. Next, push or pull the slack adjuster to check for excessive play or resistance. Then, you can inspect the slack adjuster arm for any visible damage or wear. To check slack adjusters on S-cam brakes, you should first make sure the vehicle is on a level surface and the brakes are released. How to check slack adjusters on s cam brakes? Repeat the process for each slack adjuster on the vehicle.If the distance exceeds the manufacturer’s recommended limit, adjust the slack adjuster until it is within the acceptable range.Measure the distance between the pushrod and the clevis pin with a slack adjuster tool or a ruler.Locate the slack adjusters on each brake assembly.Park the vehicle on a level surface and release the parking brakes.how to check slack adjusters on air brakes? The test may include both written and practical components. This is an important skill for CDL holders as it helps ensure the safe operation of commercial vehicles. The slack adjuster CDL test is a test that commercial driver’s license (CDL) applicants may be required to take to demonstrate their knowledge and skills related to adjusting the slack adjusters on air brakes. If you suspect that your slack adjusters may be experiencing issues, seek the help of a professional mechanic to ensure a safe and proper repair. Regular inspections and adjustments can help prevent costly repairs and keep your truck’s braking system in top condition. Neglecting slack adjusters can lead to brake failure and unsafe driving conditions. Proper maintenance and checks are essential to ensure that your slack adjusters are functioning correctly. It’s important to address any issues as soon as possible to prevent more severe issues down the line. If you notice uneven wear on your brake shoes, your brakes aren’t responding as they should, or the pushrod has visible slack, these could all be signs of slack adjuster issues. There are several signs that your slack adjusters may be experiencing issues. Understanding the type of slack adjusters on your truck is important to know when checking for issues. Manual slack adjusters require regular adjustments by a trained mechanic to maintain the proper positioning of the brake shoes.Īutomatic slack adjusters, on the other hand, use a mechanism that automatically adjusts the position of the brake shoes as the brake pads wear down. There are two main types of slack adjusters: manual and automatic. Slack adjusters can be either manual or automatic, and they require regular maintenance and checks to ensure proper function and safe operation of the vehicle. They’re responsible for adjusting the distance between the brake shoes and the brake drum, ensuring that the brakes function correctly and provide maximum stopping power. Slack adjusters are a component of the braking system in commercial trucks and buses. It is important to acknowledge that Haydn – who was, nevertheless, known as a dedicated catholic – mainly composed his masses on commission. It is as if Haydn does not leave space for war in the music, thereby enforcing peace. In this way, the mass mainly expresses an everlasting faith in a happy outcome. However, this grave atmosphere quickly changes into a mood full of triumph and celebration, as if the Lamb of God has already granted peace. In the ensuing Agnus Dei, the threat is more explicit: the prayer to the Lamb of God (Christ) for pity and peace is disrupted by ominous timpani rolls and stinging fanfares on brass instruments. However, this does not take long: during the Benedictus, there is a transition to a cheerful C major. The orchestral introduction in C minor, with short phrases leading to a powerful climax, evokes a grim atmosphere the four solo voices start with a relatively short motif, nervously divided amongst the four voices. Only in the fifth part (Benedictus), the mood changes. During the first four parts of the mass – the Kyrie, Gloria, Credo and Sanctus – nothing seems to be wrong. The time it takes before war is expressed in Missa in tempore belli, is remarkable. Napoleon, commander in chief of the French army at the time, had started a dreadful and seemingly unstoppable advance in the direction of Vienna. When Haydn wrote his mass in 1796, the Austrian troops were mobilized again after a short period of truce. After all, the French queen Marie Antoinette, who after years of imprisonment died under the guillotine in 1793, was Austrian emperor Jozef II’s sister. Since the French Revolution in 1789, Austria and France were at war constantly. When Haydn composed his Missa in tempore belli, worrisome times were ahead. Although it is widely established that Haydn chose this key to show the trumpets and timpani of his time to advantage, this hardly accounts for a ‘cheerful’ mass about war. Moreover, Missa in tempore belli is composed in C major, which adds to this odd discrepancy as the key evokes glory, celebration and triumph. Pain, fear, sadness, despair – these emotions are rarely expressed in Missa in tempore belli. It is because of this romantic perspective – which we also tend to hold in the 21st century – that Haydn’s ‘Mass in times of war’ does not exactly meet the expectations we have in the case of such a title. The nickname ‘Papa Haydn’, which he was lovingly called by the musicians at Esterhazý’s court, was suddenly connoted with a little inspiring, old fashioned father figure who does not exactly deserves imitation. Suddenly, Haydn’s music was too balanced, too cheerful, too impersonal. The Enlightenment paved the way for Romanticism, a period in which Haydn’s contemporaries Mozart and Beethoven were much more considered as the troubled geniuses who created individualistic art. The great appreciation for Haydn waned quickly after his death, however. Haydn also composed his greatest symphonies in London. In London, Haydn was a real superstar, working there since 1790 for six years at the request of musician and impresario Johann Peter Salomon. His music was published frequently, which ultimately rendered his music very popular throughout entire Europe. For 48 years, he had a tenure as Kapellmeister with the rich, prestigious Esterhazý family from Eisenstadt, who offered him – apart from some obligatory assignments – a great amount of freedom in order to attain his own ambitions and gain additional income. Already during his lifetime, he was praised. In musical history, Joseph Haydn (1732-1809) will forever be remembered as the ‘inventor’ of the modern symphony and string quartet. Set up multi-factor authentication for your online accounts including LastPass. Create strong passwords aided by a tool such as LastPass browser extension.The current best practices for using password managers including LastPass: GoTo, a remote access and collaboration company, stated that the incident has not affected its products and services, which remain fully functional. LastPass has hired InfoSec researchers from Mandiant to investigate the break-in and has also notified the authorities. The passphrase is only ever entered by the user on their browser or app and is never sent to or stored by LastPass. Master passwords are used to lock users' password vaults, where their logins for user accounts are stored. The company uses a one-way salted hash for master passwords, as described in a technical white paper. LastPass emphasized that its services were unaffected, and that customers' passwords remained "safely encrypted," though it did not rule out the possibility that some data was stolen. Last night's statement also confirmed that the attackers used information stolen in an August attack to carry out the current intrusion. The company is working to understand the scope of the incident and determine what specific information was accessed. LastPass did not specify what it meant by "certain elements," stating that it is unsure of what data was accessed. LastPass and affiliate company GoTo have confirmed that intruders broke into a third-party cloud storage service they use and gained access to "certain elements" of their customers' information. In this post, I'll share some of the key highlights, including the discovery of a critical flaw in a Chrome, LastPass breach and the leakage of Android app signing keys for multiple vendors. I'm always on the lookout for the latest developments in the field, and this week was no exception. This week, we saw a number of interesting developments in security world, from new vulnerabilities and malware exploiting a known CVE and finally a breach that is a reminder that we all need to revisit the current best practices for keeping your passwords secure. Welcome to this week in security! Tikka Nagi is back as the editor. There is no need to register or pay for a subscription when you can instantly listen or watch whatever you like. We have a wide variety of music and videos available on the web. You can save them on all other devices to play them in your car, at a party or just at home. We offer you a free way to download your songs for your playlist that inspires you. Music is a special friend, inspiration and motivation for many people. But if you can listen to AAC or Flash - via the Audio Player, your browser, or some other player - you may notice a richer sound at lower bit rates, especially with music.Welcome to MyFreeMP3! An online portal where you can listen to your favorite music, regardless of genre. AAC+ currently works in Safari and Chrome but not all other browsers, while Flash plays in most desktop browsers (Firefox, Chrome, Internet Explorer, Safari, etc.) but not all mobile devices. Flash is a common internet software platform that we use to deliver the AAC+ streams on devices that don't natively support that format. AAC+ is audio coding that delivers higher quality audio at lower bandwidth. MP3 is the most common encoding for digital audio and is supported across the greatest number of browsers and devices. If you experience poor performance with a stream that is usually reliable, try the lower option temporarily. Try streams of different bit rates to find the best listening experience for your device and connection. Please note that internet speeds can vary for each user and network and can vary depending on time and conditions. Higher bandwidth streams might not work on dial-up connections. If you have a dial-up connection, your best streaming option is to use the 24k MP3 streams. In this case, you can use the 24 kbps streams, available below and on the Audio Player, to help minimize your data consumption, but be mindful you may incur charges. If you're listening on a mobile device, and not using WiFi or an unlimited data plan, you may incur charges for from your carrier for mobile data usage (this applies to any streaming service, not just Vermont Public). Listeners on DSL and satellite should start with the 64k stream options but may have to use 24k when their connections are slow. Listeners with high-speed internet, such as from fiber network or cable broadband, can usually listen to the higher bit rate streams, e.g. This bit rate is measured in kilobits per second (kbps), abbreviated to "k." While higher bit rate streams sound better, they also require higher bandwidth internet connections. Generally speaking, streams with higher bit rates produce better sound than streams with lower rates. Vermont Public offers our live streams in several different bit rates. To access the Low Bandwidth 24 kbps MP3 streams, use the URLs above or the Audio Player. Vermont Senate MP3 24k: Bandwidth options for dial-up and mobile data plans Replay: My Place, Friday Night Jazz, and All The Traditions Some devices and apps require the stream's direct MP3 web address, the URL, to connect to the live streams. Secure HTTPS URLs for Vermont Public's online radio streams Use the playlist links below to open the streams using iTunes or Windows Media Player.Ībove streams are MP3 unless noted as AAC+. Use this link to listen to Vermont Public in Apple Music and AppleTV. One of the fastest and easiest ways to listen to Vermont Public is using voice commands with your smart speaker.Ĭheck out our smart speaker guide for an overview of how to use Amazon Alexa, Google Home and Apple HomePod. 24k MP3, as well as higher quality audio streams, AAC+ and Flash. This player includes low-bandwidth options, i.e. Vermont Public audio playerįor more stream options, or if you prefer a "pop up" player in your browser, use the Audio Player. Use our app to listen to online streams and on-demand newscasts and podcasts, plus read news stories, watch TV streams and more. Get the Vermont Public iOS App | Get the Vermont Public Android App She eventually ran into another mamodo, Maruss, and his partner Rembrandt at a church (on a cruise chip in the anime). She constantly searched for the owner of her book, while at the same time tried to avoid enemies. When she first came to the human world, she was anxious and worried about fighting as well as who her human partner would be. Tia works hard for Megumi so Megumi can follow her dream of becoming a pop star. She also has a great admiration for Megumi, as she is constantly seen imitating Megumi's pop idol side. Because of this, she has earned the reputation of a bully in the Mamodo World, as Kanchome referred to her as "Tia the Strangler" upon seeing her. However, she also has a fearsome temper and, when provoked or angered, will comically strangle the one who irritates her ironically, the one who suffers this punishment the most is Zatch Bell. Although, she often hides this crush by pretending to have a crush on Kiyo. This is mostly emphasized in battle, or towards people like Megumi, Kiyo, or even Zatch, whom she has a crush on. Tia is best described as a somewhat vain and stubborn tomboyish girl who is not afraid to stand up and face even the strongest of enemies or get hurt, but she is also a generally sweet child that enjoys spending time with her friends and will do anything to help them, refusing to leave them behind in times of trouble. Tia is a mamodo child from the Mamado world sent to the human world to compete in the battle for Mamodo King. The survey examined public perception and awareness of Alzheimer’s disease and aimed to identify the views of the general public on the value of diagnosis. Todd Datz, Harvard School of Public Georges, Executive Director of Alzheimer Europe The findings demonstrate overwhelming public support for receiving diagnosis.” One of the key priorities of the French Alzheimer’s Plan is early diagnosis, and the survey results support this focus. It is important for doctors to talk to patients about what treatment and testing options are or are not available.”įlorence Lustman, Coordinator of the French Alzheimer Plan, said: “Alzheimer’s is a fatal condition that affects most people’s lives at some time. Robert Blendon, Professor of Health Policy and Political Analysis from the Harvard School of Public Health said: “Many of the public have high expectations about the possibilities of treatment alternatives and medical testing. The findings also show there is high awareness of Alzheimer’s disease, which is a testament to the success of the many awareness campaigns coordinated by Alzheimer societies.”ĭr. It will always be difficult to receive such a diagnosis but doctors need to empower patients and their loved ones to take the appropriate steps. As a former carer myself, I recognise how valuable it is for people to have first-of-all a name for all the uncertainties of their condition and then have the time to get their affairs in order. Heike von Lützau-Hohlbein, Chairperson of Alzheimer Europe, said: “The results demonstrate the importance of being honest with patients when diagnosing Alzheimer’s disease. Approximately two thirds of respondents said that, they would get a medical test which would tell them whether they would get Alzheimer’s disease before they had symptoms. The survey also found public interest in predictive testing. Also, nearly half believe there is a reliable medical test to determine if a person suffering from confusion and memory loss is in the early stages of Alzheimer’s disease (38%-59%). Many of the respondents believe there is now an effective medical or pharmaceutical treatment to slow the progression of Alzheimer’s disease and make the symptoms less severe (27%-63%). In fact, Alzheimer’s is the seventh-leading cause of death in high income countries and the only cause of death among the top 10 that cannot be prevented or cured. This high level of contact with Alzheimer’s disease is likely to have contributed to the wide recognition of common symptoms such as confusion and getting lost, which were recognised by at least 86% and 88%,respectively.įew people recognised the severity of Alzheimer’s disease with approximately 40% knowing that it is a fatal condition (33-61%). Experience with a family member ranges from 19% in Poland to 42% in the U.S. In addition, about three in ten have personal experience with a family member with Alzheimer’s disease. Majorities in all five countries say that they know or have known someone with Alzheimer’s disease, including about seven in ten in France (72%), Germany (73%), Spain (77%), and in the U.S. The survey found a large proportion of the public has had some experience with Alzheimer’s disease. Around a quarter of adults in four of the five countries say they most fear getting Alzheimer’s disease.įear of Alzheimer’s gets worse with age, but even young adults are concerned, with approximately one in seven 18- to 34-year-olds reporting Alzheimer’s as the disease they are most afraid of getting from the list provided. The public were asked to choose which disease they were most afraid of getting from a list of seven diseases including cancer, heart disease and stroke. In four of the five countries, Alzheimer’s disease was the second biggest health fear after cancer. Watch an on-demand webcast on this topic from The Forum at the Harvard School of Public Health, presented in collaboration with Reuters and as part of the Andelot Series on Current Science Controversies. and four European countries – France, Germany, Spain and Poland – was designed and analysed by Alzheimer Europe and the Harvard School of Public Health. The findings were presented today at the Alzheimer’s Association International Conference 2011 (AAIC 2011). Over 94% would want the same if a family member were exhibiting the symptoms. Results of an international survey reveal that over 85% of respondents in the five countries surveyed say that if they were exhibiting confusion and memory loss, they would want to see a doctor to determine if the cause of the symptoms was Alzheimer’s disease. highlight interest in early diagnosis despite wide fear of and familiarity with the conditionįor immediate release: Wednesday, July 20, 2011 The fixed plate comprises a plurality, as the number of players, of static card ejectors-when the system is rotating the ejector engages and ejects a single topmost card from the card magazine pushing it to a delivery tray which guides the card to the table in front of individual player for each cycle. The rotatable plate carries two card holders which hold a deck of playing cards at a predefined angle to guarantee ejection of single topmost card from each card magazine and to place it on the serving tray, which is responsible for dealing the cards to all the players in a rotation manner. An electrical motor is mounted in the system and is connected to the rotatable plate to rotate the plate when the device is in operation. In one of the embodiments, the device includes a fixed plate, a rotating plate, which is rotatably mounted to the fixed plate, and a playing plate, which is located on top of the system and provides clear playing area. In another embodiment, of the present invention, a user holds in one hand and by pressing on on switch the device automatically ejects the topmost card to the location that the user aimed to, which makes this device portable and it doesn't take room from the playing area. The magazine is pushed back to its original position by a spring located behind the card magazine-this makes the current invention much more reliable that any other related invention on the market. In the current invention, in one embodiment, the card magazine, which is tilted to a predefined angle, is pivotally rotating, which allows the ejector device to reliably pull a single card every time the ejector engages the cards. None of the above-mentioned patens work in the same efficient and improved manner as current invention. This is the main reason for not finding these devices on the market. 3,666,270, the distribution of cards is not reliable because sometimes the ejector device doesn't eject the engaged card and sometimes it pulls out two cards at a time. A63F- CARD, BOARD, OR ROULETTE GAMES INDOOR GAMES USING SMALL MOVING PLAYING BODIES VIDEO GAMES GAMES NOT OTHERWISE PROVIDED FOR.238000006011 modification reaction Methods 0.000 description 4.Google has not performed a legal analysis and makes no representation as to the accuracy of the date listed.) Filing date Publication date Application filed by MoTi SHAi filed Critical MoTi SHAi Priority to US11/036,858 priority Critical patent/US7472906B2/en Publication of US20060157930A1 publication Critical patent/US20060157930A1/en Application granted granted Critical Publication of US7472906B2 publication Critical patent/US7472906B2/en Status Expired - Fee Related legal-status Critical Current Adjusted expiration legal-status Critical Links ( en Inventor Moti Shai Original Assignee MoTi SHAi Priority date (The priority date is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the status listed.) Expired - Fee Related, expires Application number US11/036,858 Other versions US20060157930A1 Google Patents Automatic card shuffler and dealerĭownload PDF Info Publication number US7472906B2 US7472906B2 US11/036,858 US3685805A US7472906B2 US 7472906 B2 US7472906 B2 US 7472906B2 US 3685805 A US3685805 A US 3685805A US 7472906 B2 US7472906 B2 US 7472906B2 Authority US United States Prior art keywords card plate playing magazines cards Prior art date Legal status (The legal status is an assumption and is not a legal conclusion. Google Patents US7472906B2 - Automatic card shuffler and dealer US7472906B2 - Automatic card shuffler and dealer Oh yeah, almost forgot, may the force be with you. Do yourself a favour, go out and buy this game. By now, this game should be available for less than five pounds. You don't have to dive into in straight away, instead you annoy all the gungans with hilarious results, or you can murder innocent children for calling you "a monster". There is no set way to complete your mission. And thirdly, the freedom you are given is immense. You begin to feel like a Jedi, be it a small one, and whether you like it or not, you'll end up with a huge smile stretching from ear to ear. Secondly, the music is beautiful, fast paced and wondrously conducted. I could saber my way through hoards of robots all day long. First off, a good game isn't a good game if it isn't addictive. Not in this case, oh no, what we have here is an awesome game which restored my faith in the star wars galaxy. As all gamers should know, tie-ins are usually a cheap cash in to try to squeeze more money out of the franchise. Release Calendar Top 250 Movies Most Popular Movies Browse Movies by Genre Top Box Office Showtimes & Tickets Movie News India Movie Spotlight. But i'm not writing about the movie, i'm gonna tell all of you about the rather excellent game that is the tie-in to the movie. Star Wars: Episode VI - Return of the Jedi (1983) cast and crew credits, including actors, actresses, directors, writers and more. Truly a great piece of "Star Wars" history.I'd just like to say that the movie was lacking in all departments, acting etc. While the First Order continues to ravage the galaxy, Rey finalizes her training as a Jedi. Other than that, this was a perfect finale for a series that couldn't have landed better than it did. Star Wars: Episode IX - The Rise of Skywalker Jump to Edit Summaries In the riveting conclusion of the landmark Skywalker saga, new legends will be born-and the final battle for freedom is yet to come. Political intrigue complicates their mission. After the Republics victory on Christophsis, Anakin and his new apprentice, Ahsoka Tano, must rescue the kidnapped son of Jabba the Hutt. With Matt Lanter, Ashley Eckstein, James Arnold Taylor, Dee Bradley Baker. The only thing about the episode is that some dialogue indicates that there are still surviving Jedi out there, even though that contradicts a lot of the thíngs in the original trilogy. Star Wars: The Clone Wars: Directed by Dave Filoni. The ending brings a lot of the characters into the lore once and for all, setting their places in the history in stone. The Emperor was brought back for a last stand with Ezra, and even though it wasn't a huge fight, it was an emotional conflict that is a great example of "Star Wars" at its best. The big action sequence brought a lot of satisfying conclusions to the series, and a lot of characters had some great moments to shine. visual effects artist (1 episode, 2024) Jenny Hyunjin Lim. lead capture technician: Clear Angle Studios (1 episode, 2024) Rob Eckert. Star Wars: Episode IX - The Rise of Skywalker (2019) - Movies, TV, Celebs, and more. visual effects artist (1 episode, 2024) Dave Duarte. digital compositor (1 episode, 2024) Eleonora D'Onofrio. This was Ezra's finest hour, and the episode where he really showed that he was a Jedi. digital matte painter (1 episode, 2022) Min-Hui Chang. Bringing all the emotions to the forefront in an episode that carries all the weight of the best "Star Wars" films, while also bringing the action and character development that we've come to expect. As good this series ever was, it finished off with a great finale. Because of that, both series feature the MC adapting and experimenting with a school setting that's much smaller than their backstories. Despite the MC's powers, others remain skeptical about their abilities. With both, you might be wondering what sorts of snarky punchlines and smalltalk they'll be dropping in. With Anos, you'll probably be wondering what superpower he'll just casually introduce. With Glenn, you'll probably be wondering what clever tricks he has up his sleeve. The MC involves themselves in both school-sanctioned battles/competitions/duels and battles/competitions/duels beyond the school setting. Neither are the "plucky overachieving underdog" archetype, and the only ones giving them short odds are their naive doubters. Anos is strong because his power levels are astronomical and off-the-charts. Glenn is powerful because of his wit and wisdom. Glenn plays the fool and would rather not be highly visible while Anos projects maximal conviction is his powers and is open to demonstrating how much of an insignificant tick everyone else is. However, the two approach their powers oppositely. The MCs have immense capabilities and are often sardonic in their commentary, though the power gap between Rokudenashi's Glenn and Rokudenashi's other characters is smaller than Maou Gakuin's Anos and Maou Gakuin's other characters. Both series structure their plots in similar ways: individual events throughout the series hint at broader, nefarious, and possibly conspiratorial shenanigans that provide occasional plot obstacles. However, this doesn't have much of a material influence on the two stories or interactions between characters so it's more of a strictly aesthetic choice. The aesthetics of the settings of the two series are both antiquated, with Maou Gakuin taking on a Gothic styling and Rokudenashi looking more Edwardian. Despite the presence of school competitions in both series, those primarily serve to develop the impression the MC has on others neither series focuses on the psychological scholarly pressures that one might assume from the competetive school setting. Involve a magic school and feature plenty of spells, exploration of their series' magic systems, and worldbuilding, though the world of Rokuaka is more local in time and space compared to Maou Gakuin's broader world and more robust mythology. Both fit the mold for a fun watch that doesn't dive a whole lot deeper, though there's a little more to keep track of in Maou Gakuin. But you'll also find plenty of similarities between the two, and they're carried by our main characters kicking butt and bringing their swagger into battle pretty often, which you might find circumstantially humorous. I'd say Rokuaka has a comedic atmosphere with a (mostly) lighthearted main cast facing a mix of comedic and serious stakes while Maou Gakuin has a serious atmosphere with a (mostly) serious main cast facing serious stakes, so you'll probably get a much different mood from the onset. Tonally they're pretty different (just look at the color difference and the dialogue between their first episodes!). It was first released on J, and is currently ongoing with a total of 22 volumes published.Magic-wielding confident guys in magic schools putting enemies and doubters in their place is a big draw for both Rokudenashi Majutsu Koushi to Akashic Records (Rokuaka) and Maou Gakuin no Futekigousha: Shijou Saikyou no Maou no Shiso, Tensei shite Shison-tachi no Gakkou e (that's a mouthful. The series is published by KADOKAWA, and released under the Fujimi Fantasia Bunko label. Light Novel(s) Main article: Akashic Records Of Bastard Magic Instructor (Light Novel)Īkashic Records Of Bastard Magic Instructor ( ロクでなし魔術講師と 禁忌教典 ( アカシックレコード ), Roku de Nashi Majutsu Kōshi to Akashikku Rekōdo) is a light novel series written by Taro Hitsuji and illustrated by Kurone Mishima. Throughout the story, the various pasts of each character come into conflict with their present day, as it shapes their uncertain destinies into the future. The series follows the misadventures of Glenn Radars, a former shut-in neet forced to become a professor at the Alzano Imperial Magic Academy by his adopted mother Celica Arfonia his students Sistine Fibel, a girl who aspires to discover the secrets of the Melgalius' Sky Castle and Rumia Tingel, the former second princess of the Alzano Empire, who wields a mysterious power. 3.2 Special Episodes Of Bastard Magic Instructor.3.1 Memory Records Of Bastard Magic Instructor. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |